


Most of the parts are so rare that they would last for just a handful of units, with environmental restrictions forbidding most of them to be used in new products, and the price point it would have to sell for being prohibitive to say the least.

Rest assured that the original hardware that this plugin is based on will never go into production. The right side controls and tames things if necessary, using knobs for Filtering, Level and parallel Mix. The central element is located in the middle: the Gain! The left side of the plugin is where all the magic happens, allowing you to shape your sound with the Boost, Bias, Grid, Resonance and Peak controls. Incredibly difficult to make, incredibly easy to use This is a plugin designed to encourage experimentation and make it truly rewarding. There are no right or wrong settings: Saturation, harmonics, distortion, colouration, filtering, interaction-anything goes. Now you can spice up virtual and natural instruments with ease, transforming standard sounds with all kinds of gritty, organic and aged flavors. Bespoke NOS (New Old Stock) components which are anything but standard in audio applications were arranged to make a novel circuit that is a creative celebration of what’s possible in the analog domain.Ī wide array of analog colors in a single box But this particular one-off hardware unit was exclusively designed and built to become a plugin! This approach removed all practical limits to designing an ideal analog device for saturation. Like all of elysia’a plugins, Phil‘s Cascade was modeled on a piece of real analog hardware. Modeled after a unique hardware unit that would be impossible to mass produce Think of Phil’s Cascade as a toolbox that will open a whole world of interesting sonic flavors to you. It is anything but your typical audio processor. The Phil's Cascade plugin recreates a one-of-a-kind hardware unit made from highly esoteric vintage components, combined into some truly unique circuitry.
